Some decades ago now, Fredric Jameson concluded that any strategy to confront the 'universal urbanisation' of capital would be defined by a collective ability to 'name the system'.[24] Today, while the title of Jameson's most popular work evokes the same cultural sense of the present as a MiniDisc player, this observation has a peculiar currency; particularly in the various fields of intellectual analysis which converge upon the contemporary city. Since the mid-nineties, theorists of wildly different stripes have coalesced around a sequence of attempts to describe the urban intersection of social creativity, technological innovation and cultural activity.

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